Notions of resistance, alongside fears and realities of oppression, resound throughout Jewish history. As a minority, Jews express their political aspirations, ideals of heroism, and yearnings of retaliation and redemption in their rituals, art, and everyday life.

Centering on coins in The Magnes Collection, this exhibition explores how the Jewish revolts against Hellenism and the Roman occupation of Palestine (Judaea Capta) echo from antiquity into the present.

The First World War (1914-1918) uprooted millions across Europe, and beyond. Many Jews left Eastern and Southern Europe, bringing with them prized personal and communal belongings. In an attempt to rescue precious heritage from imminent destruction, these “memory objects” often ended up with museums, collectors, and art dealers in the West.

In 1971, Seymour Fromer (1922-2009), founder of The Magnes, led an expedition to Cairo, Egypt. The Karaite Canon highlights a selection from the over fifty manuscripts he brought to California, along with ritual objects belonging to Cairo’s Karaite community. At the time, the aim of The Magnes was to salvage unique documents during a period of great turmoil in the Middle East.

Notions of resistance, alongside fears and realities of oppression, resound throughout Jewish history. As a minority, Jews express their political aspirations, ideals of heroism, and yearnings of retaliation and redemption in their rituals, art, and everyday life.

Centering on coins in The Magnes Collection, this exhibition explores how the Jewish revolts against Hellenism and the Roman occupation of Palestine (Judaea Capta) echo from antiquity into the present.

Since its inception in 1962, the former Judah L. Magnes Museum distinguished itself by directing its collecting efforts outside the focus on European Jewish culture and history that was prevalent among American Jewish museums at the time. During the 1970s and 1980s, its founders, Seymour and Rebecca Fromer, actively corralled an informal team of activist collectors and supporters. Together, they were able to bring to Berkeley art and material culture from North Africa, the Middle East, and the Indian subcontinent.

The holdings of The Magnes include a set of original and working copies of sketches and storyboard drawings created by Mentor Huebner for the 1971 feature film, Fiddler on the Roof, along with a small selection of set photographs. The film, directed by Norman Jewison, starred Chaim Topol in the title role, and was based on the stories by Sholem Aleichem (born Shalom Rabinovitz, 1859–1916), a founder of modern Yiddish literature.

The work of Roman Vishniac (1897-1990), a Russian-born photographer most notable for documenting eastern-European Jewish life in the years immediately preceding the Holocaust, has been celebrated in exhibitions and publications since the 1940s. Following the photographer's death, his daughter, Mara Vishniac Kohn, became the executor of Roman Vishniac’s estate. In 2007, the Roman Vishniac Archive was established at the International Center of Photography (ICP) in partnership with the United States Holocaust Memorial Museum. Its collections comprise over thirty thousand objects spanning more than six decades, and include more than nine thousand unprinted negatives, recently discovered vintage photographic prints, film footage, and personal correspondence.

The Jewish World: 100 Treasures of Art and Culture, which is being published by Skirà-Rizzoli in the Fall of 2014, is the first comprehensive catalog featuring the holdings of The Magnes Collection of Jewish Art and Life.

One of the most iconic works of art in The Magnes Collection, returns on display before being loaned internationally on the occasion of the Lutheran Reformation in Wittenberg, Germany (Spring-Summer 2017).