From Mendelssohn To Mendelssohn: German Jewish Encounters in Art, Music, and Material Culture
2121 Allston Way | Berkeley , CA
One of the most iconic works of art in The Magnes Collection, returns on display before being loaned internationally on the occasion of the Lutheran Reformation in Wittenberg, Germany (Spring-Summer 2017).
Moritz D. Oppenheim (1800-1882), often celebrated as the first modern Jewish painter, created Lavater and Lessing Visit Moses Mendelssohn in 1856. The painting portrays an imagined mid-18th century meeting among scholars and intellectual associates Moses Mendelssohn (1729-1786) and Gotthold Ephraim Lessing (1729-1781), and the Swiss theologian Johann Kaspar Lavater (1741-1801), taking place at the Mendelssohn residence in Berlin. The intellectual friendship between Lessing and Mendelssohn, as well as the public dispute between Mendelssohn and Lavater, are vividly evoked in this work through a host of visual connections to history, literature, and Jewish culture.
From Mendelssohn To Mendelssohn reawakens the original setting of the painting and the history of the Mendelssohn family, including the lives and works of Moses Mendelssohn’s grandchildren, composers Fanny (1805-1847) and Felix (1809-1847), by activating the extensive holdings of German-Jewish ritual art, prints, rare volumes, manuscripts, and material culture. The installation, aimed at creating a renewed imagined space of intercultural dialog animated by the presence of a historic piano (Wieck, Dresden, ca. 1860) from UC Berkeley’s musical instrument collection, is the new setting of a salon-like space of intellectual and artistic gathering.
Undergraduate Curatorial Apprentice:
Anthony J. Cascardi (Dean of Arts and Humanities), Thomas Laqueur (History), John Efron (History), Nicholas Mathew (Music)
Gordon Chun Design
Major support for The Magnes comes from the Helzel Family Foundation, the Magnes Museum Foundation, The Magnes Leadership Circle, and The Office of the Chancellor at the University of California, Berkeley.