Francesco Spagnolo, a multidisciplinary scholar focusing on Jewish studies, music and digital media, is the Curator of The Magnes Collection of Jewish Art and Life and an Associate Adjunct Professor in the Department of Music at the University of California, Berkeley, as well as a host for the cultural programs of Italian National Radio (RAI) in Rome. At UC Berkeley, he is also an affiliated faculty with the Berkeley Center for the Study of Religion, and serves on the Digital Humanities Council.
Intersecting textual, visual and musical cultures, Francesco actively contributes to academia, cultural heritage institutions, as well as live and electronic media, in Europe, Israel and the United States. A former lecturer at the University of Milan and at the University of California at Santa Cruz, he is frequently invited to lecture at academic institutions worldwide, publishes on topics ranging from music to philosophy, film and literature, and curates exhibitions and digital programs.
- PhD, The Hebrew University of Jerusalem, 2007
- Laurea, Università degli Studi di Milano, Italy, 1994
- B.A. Conservatorio di Musica "G. Verdi"di Milano, Italy, 1986
UC Berkeley Courses
- Music 74 & 139: Music in Israel
- Music 179: Performing Texts: Music, Liturgy and Jewish Life
- Music 74 & 139 and Jewish Studies 121-001: Jewish Nightlife
- Theater 121: Mapping Diasporas
- The Power of Attention: Magic & Meditation in Hebrew shiviti Manuscripts | 2017
- I-Tal-Yah, An Island of Divine Dew. Italian Crossroads in Jewish Culture (Case Study No. 7) | 2016
- Ezekiel Schloss: By Design. American Jewish Education in the 'World Over' Cover Art | 2016
- From Mendelssohn To Mendelssohn: German Jewish Encounters in Art, Music, and Material Culture | 2016
- Stages of Identity: Theater Posters from The Magnes Collection (1903-1994) | 2016
- Living by The Book: Jewish Identity and the Everyday Power of Text (Case Study No. 6) | 2015
- Larger than Life: Jonah and the Fish | 2015
- Mima'amaqim. In That Case: Havruta in Contemporary Art (David Wilson & Francesco Spagnolo) | 2015 (Contemporary Jewish Museum, San Francisco)
- The Future of Memory: Jewish Culture in the Digital Age | 2015
- The Secret Language of Flowers. Botanical Drawings from Israel, 1949-1950 | 2015
- Gourmet Ghettos. Modern Food Rituals (Case Study No. 5) | 2014
- Literary Minds: Soviet Jewish Writers Portrayed by Matvey Vaisbert | 2014
- Saved by The Bay: The Intellectual Migration from Fascist Europe to UC Berkeley |2014
- Global India: Kerala, Israel, Berkeley (Case Study No. 4) | 2013
- Holy Land, California. Prints by Albert Garvey | 2013
- Sound Objects (Case Study No. 3) | 2013
- Reborn: Posters from the European Jewish Cultural Renaissance | 2012
- The Inventory Project (Case Study No. 2) | 2012
- Dissolving Localities | Berkeley Jerusalem | 2012
Books, Journals, and CDs
- Editor, The Musical Traditions of the Jews in Corfu, Greece, “Anthology of Musical Traditions in Israel,” The Jewish Music Research Centre, The Hebrew University of Jerusalem (in preparation)
- Editor (with Judah Cohen and Klára Móricz), Journal of Jewish Identities. Special Issue on Jewish Music, 10/1 (January 2017), The Johns Hopkins University Press
- Author (with Alla Efimova), The Jewish World: 100 Treasures of Art and Culture, New York, Skirà Rizzoli 2014
- Editor, Italian Jewish Musical Traditions from the Leo Levi Collection (1954–1962), “Anthology of Musical Traditions in Israel” no. 14, The Jewish Music Research Centre, The Hebrew University of Jerusalem & Archivi di Etnomusicologia, Accademia Nazionale di Santa Cecilia, Rome-Jerusalem 2001 (reissued 2006)
- Editor, Estetica delle situazioni estreme [An Aesthetics of Extreme Situations], Cuem, Milan 2000, 200 p. [Italian]
- Author, Il ballo del camaleonte. Citazione, strategie del testo e sopravvivenza intorno a Zelig di W. Allen [The Chameleon’s Dance. Quotation, Textual Strategies and Survival Around W. Allen’s Zelig], Cuem, Milan 1999, 115 p. [Italian]
- Editor, Imre Toth, No! Libertà e verità, creazione e negazione [No! Freedom and Truth, Creation and Negation. A Palimpsest of Words and Images by Imre Toth], Rusconi, Milano 1998, 487 p. (reissued: Bompiani, Milan 2003) [Italian]
Recent Articles (in books, journals, and encyclopedias)
- "The Bimah & The Stage: Synagogue Music and Cultural Production in the Italian Ghettos" in Donatella Calabi ed. Venice, The Jews, and Europe 1516-2016, Marsilio, Venice 2016: 264-269
- "Italian Jewish Cultural Identity: A Regional Perspective" in Franco Segre ed. Musiche della tradizione ebraica in Piemonte, Squilibri, Rome 2015: 11-44
- "Unsettling Encounters: Missing Links of European Jewish Experience and Discourse" in Samuel Bronner ed. Framing Jewish Culture: Boundaries and Representations. Jewish Cultural Studies 4/2013: 357-363
- "Back to Life, Twice. The Revivals of Ladino Song in 20th-century Italy," Journal of Synagogue Music 38/Fall 2013: 109-120
- "Music and Synagogue Life" in Roni Weinstein ed., Italy, Ben Zvi Institute, Jerusalem 2012: 143-150 [Hebrew]
- “'Those Note in Minor Tones...' Oriental Themes, Liturgical Debates and Musical Icons in 19th-Century Jewish Italy" in E. Avitsur, M. Ritzarev and E. Seroussi eds. Garment and Core. Jews and their Musical Experiences, Bar-Ilan University Press, Ramat Gan, 2012: 83-100
- "Scritto in italiano, ascoltato in ebraico. A proposito delle fonti scritte della musica ebraica in Italia" in Stefano Patuzzi ed., Ebraismo in Musica. Da Mantova all’Europa e ritorno, Mantova, Di Pellegrini 2011: 87-101 [Italian]
- "Cultural Content and Digital Form, or The Other Way Around? Jewish Collections, Research and the Digital Renaissance" in Giuseppe Capriotti and Pierluigi Feliciati eds. Testimonianze della cultura ebraica: ricerca, valorizzazione, digitale. Il progetto Judaica Europeana, Proceedings of the international conference, Fermo, Oct. 6-7, EUM Edizioni Università di Macerata 2011: 249-274
Francesco has taught at the University of Milan (Philosophy dept.) and at UC Santa Cruz (Music and Literature depts.), and has lectured and participated in national and international conferences on music, Jewish studies and digital media at academic institutions worldwide, including the universities of Milan, Rome, Padua, the EHESS in Paris, the Hebrew University and Bar-Ilan University, Harvard University, Yale, the University of Virgina, Indiana University, the University of California at Davis, Santa Cruz, UCLA, Ohio State University, San Francisco State University, Sonoma State University, University of Wisconsin (Milwaukee), NYU, the National Library of Israel, as well as the Jewish Culture Festival (Krakow, Poland), the Internet Archive and Creative Commons.
In 1995-1997, Francesco coordinated the activities of Yuval France, a center for the study of Jewish Music at the Alliance Israèlite Universelle in Paris. Upon returning to Italy in 1997, he established "Yuval Italia," the first Jewish music archives in Italy: initially housed at the Rabbinical School of Milan, the archives were recently transferred to the Italian Center of Jewish Documentation (CDEC). Between 1998 and 2002, he was responsible for the preservation and publication of Italian Jewish sound recordings at the Ethnomusicology Archives of the National Music Academy in Rome and the National Sound Archives in Jerusalem.
As a radio producer and host, Francesco first produced a weekly program on Jewish music and culture at Radiopopolare, Milan (1997-2002), and later became an anchor for the daily cultural program, Radiotre Suite, broadcast live by RAI (Italian National Radio) from Rome (2001-2003, and again since 2012). In 2002-2003, he reported weekly from Jerusalem for RAI Radiotre. Francesco has also produced and appeared in concerts at music and theater festivals in Italy and the United States.
Francesco's Dissertation work, The Musical Traditions of the Jews in Piedmont (Italy) (Hebrew University, 2007), based on a multi-disciplinary methodology that combines history, musicology, and ethnographic fieldwork, provided a vivid portrait of synagogue life in Italy during the 18th-20th centuries by intersecting written, oral and archival sources, as well as countless news items from the Italian Jewish press. Through musical lenses, this work addressed synagogue life in all its multifaceted components: liturgy and text, social, intergenerational dynamics and gender roles, aesthetics and architecture, and the politics of identity.
Francesco's publications include the Italian edition of Imre Toth's Palimpsest (1998 and 2003), the audio-anthology Italian Jewish Musical Traditions (Hebrew University, 2001 and 2006), three books (Il ballo del camaleonte, 1999; Estetica delle situazioni estreme, 2000; The Jewish World, 2014), and a host of articles and essays on philosophy, music, film and literature in academic journals, books and encyclopedias, including Rivista Italiana di Musicologia, the Encyclopedia Judaica, and the Encyclopedia of Jews in the Islamic World. He maintains Bella e perduta, a bi-lingual weblog on Italian Jewish music and culture.
In 2007, Francesco became the Director of Research and Collections at the Judah L. Magnes Museum in Berkeley, California, where he created an online integrated (Archive-Library-Museum) database, and several innovative digital programs, including Jewish Digital Narratives, a project involving the online dissemination of cultural heritage collections, storytelling and archiving that combines website and database approaches with social media tools. This work was instrumental in the creation of The Magnes Collection of Jewish Art and Life, at the University of California, Berkeley, where since 2010 he is Curator of Collections.
Francesco received a BA (equivalent) in Music from the Conservatory of Milan (1986), a Laurea cum laude in Philosophy from the University of Milan with a dissertation on the narrative uses of quotations (1994), and a PhD in Musicology from the Hebrew University of Jerusalem with a dissertation on the music and synagogue life of the Jews in Italy (2007). In 1995-1997, he conducted post-doctoral research at the Ecole des Hautes Etudes en Sciences Sociales (EHESS, Paris), under Jacques Derrida.